Saturday, July 16, 2011

Care Package #1: Boyfriend

Today I'm going to try something new, and dedicate a blog post to someone I care about. We're going to call this one a Care Package. I hope to do more of this type of post in the future.
In this installment, the Care Package goes out to my boyfriend, comedian, Matt Aromando. Things about Matt you may or may not know: he likes Nirvana, Sailor Jerry Rum, and playing pinball. Here are three good documentaries that discuss all of these topics.

Watch here
Hori Smoku Sailor Jerry documents the life of Norman K. Collins aka Sailor Jerry, famed tattoo artist from the 1940's and 50's, and rum producer. Setting up shop in Hawaii, Collins pretty much brought tattooing to mainstream America. Tattoos went from being a criminal signature to a cute thing a young sailor could get as a souvenir while on tour. His tattoos were pretty risque for the time, but now they're a cool vintage statement. While his style might be considered a bit cutesy to current tattoo standards, Collins was no wuss. According to the film, Collins owned a pet monkey that he kept in his tattoo shop, which he personally tattooed. Watch the movie to find out what it said and... where he put it on the monkey. Also find out Ed Hardy's connection to the Sailor Jerry legacy, and how the title of this movie is a tad bit racist. (It's okay if you already got it).





Watch here
Hype! was directed in 1996 by Doug Pray, making this one an oldie but a goody. I don't know if it's just me, but I find older documentaries harder to take seriously because the topic could have advanced further past the date of the film. Like reading a science text book from the mid 1980s that doesn't have all the elements on the periodic table. However, this film benefits from being made right at the end, if not still during the grunge music craze. All of the opinions and knowledge are still fresh. This is truly an eye-opening documentation of how the genre began and how it got over-hyped. Of course Nirvana is a big part of this film, but it focuses on a lot of popular and not so popular grunge era bands from the Pacific Northwest.

Watch here
 Special When Lit discusses the history of a forgotten pastime, pinball machines. Why this documentary is important: you learn where in the world you can still play pinball, who has unreal amounts of pinball machines in their possession, where the Pinball Museum is located, the evolution of the machine, and the fact that pinball was illegal in America at one point. Also, if you've ever seen a Bally Total Fitness, and then got really confused when you saw the same logo on a pinball machine in a bar, you have made the correct connection, they are owned by the same company (whether that makes sense or not). Definitely watch if you like pinball, and it's still interesting even if you don't.   






I hope you all will enjoy this care package as much I think Matt will. Maybe some day if you get in my good graces, you too will find something special in your rss feed.

Friday, July 15, 2011

Rip! A Remix Manifesto

While looking for this poster I found Unseen Films

Ever think about what our culture will be like in 100 years? Will it be something we never dreamed of, something so new and original we couldn't even predict it in some kind of Epcot ride?  Or will it be a tired, reconstituted, cannibalized mess? Rip! A Remix Manifesto explains beautifully how our culture continues to evolve and rejuvenate. The main point is that we depend on the past to form the future, and that's the way it's always been whether your parents want to admit it or not.

Directed in 2009 by Brett Gaylor, Rip! explains how the current issues over ownership of our culture (copyright laws) is promoting stagnation. But the big to do over the laws is also causing a wave of rebellion that will be a sure fire way to keep the creative juices flowing. By following Napster, Girl Talk, Air Pirates, and many more artists involved in music and or video, we see how they are misunderstood as thieves and hacks.   
Shot from Rip! A Remix Manifesto

For me, this film was great because I got to see how Girl Talk makes his music. His concerts look like a religious ceremony where the religion is about worshiping the structure of modern songs, and understanding their harmony... and dancing like a mother.

Also the graphics in this documentary are excellent! They simultaneously present facts and entertain. There are several scenes where a point is powerfully made with artful video time lines.  Rip!'s plot has a lot to do with modern music file sharing, but it also makes it's point about the pattern of recycling culture throughout history by presenting examples from decades ago.  While The Rolling Stones sue the pants off of The Verve for sampling their song, you see that the Stones actually weren't being very original themselves.
This documentary goes at the top of my favorites. The things that are said are extremely important for all of us to hear as a society. If you ever wanted to do something creative, watch Rip! A Remix Manifesto.    

Monday, June 27, 2011

Ew... smell this.

So far I have only talked about documentaries that I liked watching. I'm sure you have taken my advice and viewed them (wink, wink). Documentaries are not all stuffy and boring. If I've taught you anything, it's that they can be entertaining, and give you a ton of conversation pieces for parties. However, there are still some films out there that have killed my buzz on one occasion or another. Today you will know about several documentaries that maybe you shouldn't watch, but I won't hate you for watching anyway... at least to see that I'm right.
In no real ranking order, but I numbered them anyway, here are the top four documentaries that I could not finish because they were so... terrible.

1. Eyes of the Mothman
This was surprisingly boring, since this film is about a man who looks like a moth, has a history of terrorizing a small town, and is the basis of one of the best horror movies. Heck! It's a true life monster movie! It was way too long at 2.5 hours. The first thirty minutes were spent discussing in detail a battle between settlers and Native Americans, told with the same three shots of an old white man playing the chief who supposedly cursed the Virginian town and summoned the Mothman. I love history, but this was so dry. If you still hold a flame in your heart from 2002, when you saw Mothman Prophesies, Eyes of the Mothman will blow on it until you're like, "stop it!" Then you should run away. That happened to me a half hour in.  

2. American Scary
 This could have been so fun and informative! American Scary is about the late night horror hosts of the 50s and 60s. (Think Elvira, the Cryptkeeper, Vincent Price). Apparently there were hundreds of these hosts; one for each local TV station across America. The film lacked what most documentaries have: an over-arching voice. Instead, it was all talking heads; one person after another expressing their opinions about favorite hosts and what was great about them. Heavy on the opinion, light on facts. I couldn't finish because I needed to take a break from hearing 50 different people smelling their own farts, and there was no end in sight. Look at the cast on imdb, I'm not exaggerating too much about the number. Imagine a merry-go-round of all these people recalling their fond memories of ghoulish hosts of yore. It's nice and all, but please someone make me feel like I'm learning and not just having a biased and one-sided conversation at a party with a lot of 45-year old cape enthusiasts.

3. America's Most Haunted Town
Other people don't like this either
 Cool concept, crazy boring. It's always hard to listen to interviews with people who are not public speakers. They can't all be camera-ready I suppose. People are people, and how appropriate to have real people in a documentary about a haunted small town. I don't remember what town it was, doesn't matter. The film had a rhythm of "um"s and "ah"s, that would drive you insane. More "um"s than interesting facts. I didn't even make it far enough to see that the movie get's even worse. Once it get's into the ghost stories, (you can see by the comments on the hulu page) the whole movie was pretty unconvincing anyway.

4. Tales of the Rat Fink
Ed "Big Daddy" Roth, car designer and creator of Rat Fink, is awesome, but once his cars started talking to the camera, I was out of there.

Tuesday, June 21, 2011

The French Kiss @ Hana Sushi

Look at that. Don't you want to do nasty things to that maki?  This is The French Kiss at Hana Sushi in Cambridge, MA.


The French Kiss at Hana Sushi photo credit Matt Aromando
The contents: tempura shrimp, smoked salmon, tuna, crabstick, three colors of roe, cream cheese, avocado, cucumber and "special sauce."
It has the most variety of fish in one maki roll I have ever eaten. The tuna is the only raw fish besides the roe. The shrimp is fried, the salon smoked, and the crab stick... whatever they do to make crab stick they certainly did it. It's like a beautiful little feast of fish in your mouth. The roe in colors of black, red, and bight green, reminded me of bunches of grapes...fed to me by a lover...on a moon lit night...in the ocean. A bit much? What can I say it was a sexy roll of maki.
Despite the copious amount of fish and caviar, this culinary make-out session only costs you $10.50 for 5 pieces. Highly recommended, left satisfied.

Monday, June 13, 2011

Easy TV: Celebritiy Ghost Stories and I Survived...

Last week I was sick. I was not going to make a post during my bout of viral pinkeye. Instead I watched an inordinate amount of two television programs: Celebrity Ghost Stories and I Survived.... Both shows are made by the Bio network and are remarkably similar in structure. These shows take little effort to watch and follow, so it was like crack to me during my illness.
John Waters on Celebrity Ghost Stories

The format of Celebrity Ghost Stories is a one-sided interview with four B to D range celebrities (think dancing with the stars dancers, VH1 celebriality stars, and surprisingly, nearly the entire cast of the Sopranos). While the celebrity tells their tale of dealing with the paranormal, blurry quickly-cut footage of people who have their matching hair color, reenact the scene. They make scenes from the past or other countries look vaguely accurate, but one can tell it's probably all shot in willing crew-member's property, and the director uses as many diversions as possible. It appears that each reenactment only uses about three minutes of actual footage. The editor loves repeating shots to add emphasis, jiggling photographs of people dressed like ghosts. The best time-eating trick is to nearly explain the whole story over again after every single commercial break.
The show is not scary or creepy to any degree, but it is really entertaining.  Every couple of episodes you get a gem, like David Carradine, John Waters, Dave Foley, Tracy Nelson, or Daniel Stern. Stories like theirs keep you sloshing through the muck. The muck is tall tales about entire buildings disappearing, drops in temperature, and departed loved ones saying hello. The aforementioned gems have more layers, history, evidence, terror. Good. Clean. Fun.
Similarly, I Survived... is a one-sided interview with three ordinary people who have survived horrific events. In this scenario, there are no reenactments and only a few still photographs that I can assume are never from the actual scenes. A friend suggested I watch I Survived... as therapy to help with my sensitivity to blood.  I Survived... was not difficult for me to watch, but it did help me gain perspective on almost dying (and every episode has at least one person getting their throat slit). Since there are no reenactments, just the person talking, there is nothing to close your eyes over. You just cringe and take it.
On the other hand, the recounting of the events is told in such a mater-of-fact way, some of the bloodiest moments have the wind knocked out of them. Maybe it's just their way of coping, and remembering, or that they were in such shock they just didn't feel the pain. While a woman says here attacker's first move was to cut her in the arm, I'm thinking "That's it, that's the wost part". But he actually kidnaps and rapes her for 24 hours, and the fact that she was cut in the arm is never mentioned again. I guess my worst fears are not as crucial in the big picture. It is also depressing as hell. It's a good show to share a cathartic moment with yourself. I subjected myself to hours of these moments.
By what I've said it's obvious you don't actually need to watch the shows closely to get the gist. Listen to it like old time radio... but you'll find yourself needing the shitty ghost footage or a photograph of the bloody hairbrush having the Tim Burns kicked out of it.
It sounds like I hate these shows. Really, I just don't respect them too much. I have fun with them, but we both know we can never have what Breaking Bad and I have.
The truth is, I watched such a marathon of Celebrity Ghost Stories, Hulu asked me to take a break. I wish I had thought to take a screen shot of this pop-up window, but I was all like, never show me this again, no thanks.

Wednesday, May 25, 2011

Everything is Free...

You want to learn about the beginning of the internet, you should watch We Live In Public
You're right, I was not asking you, I was telling you, because this documentary explains everything.
Made in 2009 and directed by Ondi Timoner, We Live In Public follows internet pioneer Josh Harris, who in 1999 started a break-through social experiment in a New York City basement.

Before reality TV exploded, while online video streaming required extreme patience, and chat rooms were a thing, Harris created a prophesy of what the next 10 years of the growing internet would bring us. The film opens with a coldly casual video message from Harris to his dying mother (very similar to a scene on Tim and Eric Awesome Show Great Job). He says, "Speaking to you virtually is how I know how to do this best... This is what art is now."

Harris started Jupiter Communications in the early 1990s. It was a company that simply attempted to gather investors for the burgeoning internet, and find out what people would actually do with it. Stemming from this came Pseuedo, Harris's first online TV channel. It was completely interactive with live chat-rooms.  It was all about young hip kids sharing ideas, and they became millionaires because of it. And around 2000, most companies like these went bankrupt.

In 1999 Harris walked away from Pseudo, and began his art project / month-long party / utopian fascist commune / psychological experiment called Quite: We Live in Public. In an NYC basement at the turn of the century, with free food and drink, a communal shower, firing range, cameras in the bathrooms, bunk beds with cameras and TVs, and Stasi style interrogations, Quite was a physical embodiment of the internet and what Harris predicted it would become. Prophetically he said, "Everything is free except the video we take of you, that we own."

I was about 11 years old and in Rhode Island when most of this happened, so I was pretty clueless about social experiments in NYC basements (though there was an 11 year-old boy in there! Hope he turned out okay). I did watch MTV, and I did see an episode of Daria where her dad gets hired to a dotcom company that appropriately crashes and burns.  So when I saw this film I wasn't completely lost. It always excites me to discover subcultures and movements that happened while I was too young to be apart of them. It's like discovering something new about yourself.
The film ends with the befitting song, Virtual Insanity by Jamiroquai, which was probably my favorite song at the time this film was based.

Allow me to quote,
Futures made of virtual insanity now
Always seem to, be govern'd by this love we have
For useless, twisting, our new technology
Oh, now there is no sound - for we all live underground 

Wednesday, May 18, 2011

Style Wars

Just as a disclaimer, I know it can be annoying to watch full-length movies on YouTube. Rarely are they in one piece, and good luck if you can find all of parts 1 of 8 in a logical order. Don't fret, because for your viewing pleasure, I found the full length version of the 1984 documentary, Style WarsDirected by Tony Silver, Style Wars follows the graffiti culture of New York City during the early 1980s. The film has a gritty, 70's quality to it, some of it shot in black and white.  If you like Midnight Cowboy, Taxi Driver, and other movies about NYC before it got cleaned-up, this is for you. It is apparent that everyone is just trying to deal with this chaotic environment. The upright citizens bemoan the graffiti on the trains and lump the graffiti artists with other criminals, while the artists defend their craft, and paint whenever possible despite efforts against them. It is apparent that both sides are victims of their society. 
While some of the graffiti is impressive and obviously took a lot of skill to execute, I do think the young taggers for the most part were unwittingly sustaining the broken windows theory: basically if you leave a broken window, then crimes escalating in severity will be committed. The interviews with the young graffiti artists are eye-opening. These boys between the ages of 12 and 20 are well-spoken, and have strong beliefs in their art. It's amazing to hear them talk about why they tag, how they are building names for themselves.
Shots of the train yards at night are chilling. It's a place most people don't see, but the graffiti artists are very familiar with it. At one point an extremely panoramic shot of a fabulously painted subway train moves across the screen for about 2 minutes. As a photographer I am still a bit baffled at how they got the shot without any visible breaks in the image. Style Wars is beautifully filmed, a worth while exploration.

Monday, May 9, 2011

Burger King Whopper Bar NYC

This past weekend my boyfriend Matt Aromando and I went to the BK Whopper Bar in New York City. I had first heard about this magical place from the blog This Is Why You're Fat, where the New York Pizza Burger was featured. This is a burger that is made of 4 patties, a giant bun, pepperoni, mozzarella cheese, tomato sauce, and pesto sauce, cut into wedges and served like a pizza. Sounds like an insane idea right? An insanely awesome idea! Matt and I looked into it, and found the location in NYC. It became our mission to check it out, try the pizza burger, or another equally crazy concoction.
Karly Domb Sadof for The New York Times
When we arrived on a Saturday afternoon, we were disappointed to find that the pizza burger was no longer on the menu. This was not a problem, as there were plenty of heart-stopping options to choose from. Premium toppings such as guacamole, blue cheese crumbles, jalapeños, and a variety of cheeses and sauces, are available to top your burger.
Steakhouse XT a la Matt

Matt ordered the Steakhouse XT, which offers the thickest burger patty, and normally comes with lettuce, tomato, onion, and mayo. Matt added guacamole, jalapeños, and cheddar cheese. He thought it was yummy, and was easily satisfied for the rest of the day.
This is what I got:

Stuffed Steakhouse Burger
the Stuffed Steakhouse Burger, with jalapeños and cheddar cheese cooked into the burger patty, lettuce, tomato, and poblano cream sauce. Well it actually looked more like this, but it was amazing!
The real Stuffed Steakhouse Burger

Overall, the burgers looked like regular Whoppers, but the improved ingredients made it worth the trip. I seemed to have fresh jalapeños in the burger, and we both agreed that the tomatoes were top notch. The atmosphere was similar to other Burger Kings, but the decor was more modern. The Whopper Bar has been compared to McDonald's McCafé.
on the left McCafé , on right BK Whopper Bar
Matt and I went to a McCafé in Chicago. While it did offer gelato and leather chairs, I think the BK Whopper Bar is a much more unique experience for the mouth area. At this time the New York location does not serve alcohol, but it is planning to in the near future. Right now, their location in South Beach, FL is the only one that sells beer. I will be interested to see what kind of brews BK New York will decide to pair with their food. Will they go for Bud, or Chimay? Also, their menu items are exclusive. Like in the case of the New York Pizza Burger, don't expect to find every crazy meal you hear about on the menu consistently. Get it while it's hot! You will, however, find something worth talking about regardless. I can't wait to see what they come up with next.




Wednesday, May 4, 2011

Morbid Curiosity Double Feature: Cropsey and H.H. Holmes America's First Serial Killer

Horror movies are good fun entertainment, but what to say of films about real life horror? I find documentaries about murderers to be more intellectually gripping and less anxiety provoking - at least until the magnitude of it sinks in. There are two sides to the coin. The horror flick might suck you into the story, but in the end you can feel good knowing it's just a movie. The documentary about serial killers allows you to watch with objectivity but leaves you questioning humanity.
If you are in the mood to question humanity, please enjoy these two documentaries Cropsey and H.H. Holmes America's First Serial Killer.

Click to watch
Cropsey, a 2009 documentary by Barbara Brancaccio and Joshua Zeman, follows the story of Staten Island's underbelly of misplaced patients from the closed Willowbrook State School for the mentally ill and handicapped. Officially closed in 1987, the area surrounding the institution was a breeding ground for urban legend. The word "Cropsey" was coined by youths of Staten Island Boy Scout camps, defined as an insane man who lives in the woods near the asylum and murders children. For decades the stories were pass down, but it became very real in 1987 when a 12 year old girl with Downs Syndrome, Jennifer Schweiger, was abducted and murdered, her body found near Willowbrook. Chilling footage from Geraldo Revera's expose on Willowbrook, and aching testimonials of a community torn by disillusionment and terror make for a gripping film.
 
Click to watch
 H.H. Holmes America's First Serial Killer is... well it pretty much explains it in the title. Superb conman, H.H. Holmes with his "murder castle" in Chicago, managed to make countless people disappear for roughly 20 years before he was caught in 1894. It's the stuff every horror movie is made of, from Secret of the Blue Room to Hostel. John Borowski made a documentary about Holmes in 2004. The idea of him being the "first" serial killer is intriguing. It's like saying Holmes invented mass murder, along with the inception of the steam engine. But along with the steam engine also came slightly improved police investigations. Holmes was one of the first serial killers who was actually found out, and studied, defining the concept of a serial killer. Watch this documentary for the bizarre story. It is positively edifying [straightens monocle].
If you want to watch in chronological order (by topic and movie release date) watch H.H. Holmes first. If you want to get the bad news first and then the good news, watch Cropsey first. Even though Holmes seemingly set the standard for serial murder, H.H. Holmes will be refreshing in it's lack of grisly news footage. Enjoy!

Tuesday, April 26, 2011

The Rock-afire Explosion

1981 was a magical time. Everyone in this documentary seems to agree. Brett Whitcomb's 2008 The Rock-afire Explosion documents the rise and fall of the most famous animatronic bands from the Southern United States. You might be familiar with the Youtube videos of this band of rubber-faced anthropomorphized animals performing hilariously non sequitur songs like Bubba Sparkxxx's Miss New Booty.  Turns out, these are not dubbed-over videos, and it is not meant to be ironically funny.

  You will not hear She'll Be Coming 'Round the Mountain behind the rap music. A roller-rink dj named Chris Thrash bought an out of commission Rock-afire Explosion animatronic band, erected it on his property, and makes videos where he reprograms the band to play modern songs.  Rock-afire Explosion was the main attraction at Showbiz Pizza, a child-oriented pizza restaurant and arcade from the 1980s that would later be bought out by Chuck-E-Cheese.

As it turns out, there is a serious following of Rock-afire Explosion fans. They all remember the band being one other best things they ever saw when they were 7, and have not completely let go... at all. Everyone has their favorite band member, each with their own personality and back story. The kids who REALLY liked this stuff appear to have been immune to the "band's" terrifying appearance. It takes a special kind of child to truly love this show, and grow up to collect their memorabilia, listen to their music, and aspire to own a copy of the actual band. 
You also get a glimpse into the creator of Rock-afire and founder of Creative Engineering, Inc., Aaron Fetcher. It's tragically touching to see how emotionally invested the fans are, or how the Fetcher's business went from 300 employees to just himself as The Rock-afire Explosion ended.  There is a longing for this place in time when the show was a magical thing to see, (or a lucrative business for that matter), and no one was jaded by it.

Watching The Rock-afire Explosion being assembled in Fetcher's factory was a creepy thing to see, but an even creepier moment in the documentary is watching them be disassembled. A corporate video for Showbiz Pizza explains how employees of the resturant should remove parts in a certain order, warning, "destroy these items as they will never be used again." All that is left are the metalic skeletons waiting for Chuck-E-Cheese's skin.